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Learn on the Field Galleries

how it works : Description of my workshops and policies

how it works

Description of my workshops and policies

Updated: May 28, 2006 12:20pm PST

CHINA :

CHINA

Updated: Sep 26, 2008 3:03pm PST

VENICE (ITALY) : A memorable Venice Workshop in Carneval

VENICE (ITALY)

A memorable Venice Workshop in Carneval

Updated: Jun 01, 2008 9:02pm PST

LA MIA ROMA (ITALY) : 4 days in ROME. I will guide you through the most unknown corners of my home town to discover this ancient city...

Class Maximum Number 12

LA MIA ROMA (ITALY)

4 days in ROME. I will guide you through the most unknown corners of m ...

Updated: Jun 01, 2008 9:07pm PST

VANCOUVER BC :

VANCOUVER BC

Updated: May 27, 2006 5:23pm PST

FLOWERS IN VANCOUVER WORKSHOP :

FLOWERS IN VANCOUVER WORKSHOP

Updated: May 28, 2006 12:06pm PST

VICTORIA AND VANCOUVER ISLAND : Lovely Victoria and much, much more on Vancouver Island

VICTORIA AND VANCOUVER ISLAND

Lovely Victoria and much, much more on Vancouver Island

Updated: May 27, 2006 4:53pm PST

APRIL IN PARIS : Coming soon

APRIL IN PARIS

Coming soon

Updated: May 27, 2006 9:43am PST

UMBRIA  (ITALY) : Coming Soon

UMBRIA (ITALY)

Coming Soon

Updated: May 28, 2006 11:43am PST

I am always seeking perfection in my attempt to tell a story in just one frame.

As a man, I never really had much interest in reading text; to me the images that illustrate an article or book are the only important thing to focus on. Perhaps Mother Nature sought to compensate for my dyslexia by blessing me with a greater visual imagination.

As a viewer, I love to see how other photographers interpret reality, offering us their unique perspective and point of view to arouse our human curiosity and help us all to develop our creativity by using our imagination.

As an artist, I pay as much attention as possible to details, lighting, colors and texture and include the environment, where the subject of my photograph lives within the frame. I love using my wide-angle lens; I like to make a statement by enlarging a detail in my imagery by deforming the size of objects with this lens, making them appear larger than they really are. It is like underlining a sentence in a book, making it stronger, bolder.

As a photographer, I am obsessed with the idea of being able to tell a full story in one frame only. Too often our minds are influenced by what the narrator or the journalist is telling us; I want individual viewer to be less passive and able to create his or her own vision of reality. That‘s when I feel my mission has been accomplished, because my task is reporting the truth to viewers and at the same time leaving them enough space and freedom to create their own story through their imagination, with my imagery.

Danilo Piccioni